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Mother Love Bone - Shine (1989)

Жанр: Alternative & Nu-metal
Год выпуска: 1989
Лейбл: Stardog/Mercury
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24-bit/96kHz
Формат раздачи: 24-bit/96kHz
Продолжительность: 19:05
Треклист:
1. "Thru Fadeaway" 3:40
2. "Mindshaker Meltdown" 3:47
3. "Half Ass Monkey Boy" 3:18
4. "Chloe Dancer/Crown of Thorns" 8:20

Источник оцифровки: сеть
Устройство воспроизведения: Technics SL-1100-A Turntable
Предварительный усилитель: Rogue Metis Preamp
АЦП: E-MU 0404 USB 2.0 Audio/MIDI Interface
Программа-оцифровщик: Audacity 1.3.9 (ripping)
01 Half Ass Monkey Boy 02 01 Thru Fadeaway
01 Thru Fadeaway 02 Half Ass Monkey Boy
нет
Before Pearl Jam, there was Mother Love Bone. Future Pearl Jam members Stone Gossard (guitar) and Jeff Ament (bass) were founders of this Seattle-based glam/punk outfit, which was fronted by flamboyant singer Andrew Wood. But despite countless accolades from the press and their peers, the group's career was cut short before it could truly blossom due to tragedy.

Both Gossard and Ament had previously been members of Seattle garage rockers Green River (a group that also included future Mudhoney members Mark Arm and Steve Turner), and upon the group's breakup in 1988, the guitarist and bassist stuck together, looking to form a group more a kin to the arena rockers of their youth (Kiss, Aerosmith, Led Zeppelin, Queen, etc.). Joining Gossard and Ament was drummer Greg Gilmore, second guitarist Bruce Fairweather, and the aforementioned Wood on vocals. Wood (who was previously known as Landrew the Love Child as a member of another Seattle outfit, Malfunkshun) was the complete opposite of the prototypical Seattle frontman as he patterned his look and vocal style after such renowned frontmen as Freddie Mercury, Paul Stanley, and Marc Bolan. But although the group had a few similarities to the then-flourishing glam metal scene, the group's sound was tougher and more rooted in classic rock than their soon-to-be disposable glam contemporaries.

The group created a buzz from the get-go as the quintet inked a deal with Polygram shortly after forming and were given their own label, Stardog, resulting in the release of the six-track EP Shine in 1989. The year was spent touring and plotting their full-length debut, which was eventually completed by the end of the year, with a projected release in spring of 1990. Expectations for the disc were high and sensing this, Wood wanted to be at his best, so the singer checked himself into a rehab center to try and conquer an addiction to heroin. But on March 16, 1990, Wood was found by his fiancée unconscious in his bed, having overdosed on the drug. Despite efforts to revive him, Wood was eventually pronounced dead three days later. Devastated, the group called it quits as the resulting album, Apple, was issued several months later in the fall of 1990.

Gossard and Ament slowly worked their way back into music, as they joined up with Soundgarden members Matt Cameron and Chris Cornell (the latter a good friend and former roommate of Wood's) to record a pair of songs that Cornell had penned for the late singer. But the sessions soon took on a life of their own and a full album's worth of tunes was recorded, issued as a self-titled release in 1991 under the name of Temple of the Dog (a phrase from one of Wood's lyrics). The album also saw contributions from guitarist Mike McCready and singer Eddie Vedder, two musicians who Gossard and Ament had been jamming with, soon resulting in the formation of Pearl Jam. (AMG) ”

“ Shine is the debut EP by the American rock band Mother Love Bone. It was released on March 20, 1989 through Stardog/Mercury Records.

The EP was recorded in January 1989 at London Bridge Studios in Seattle, Washington with producer Mark Dearnley. The EP was mixed by Dearnley. The EP's cover art was photographed by Charles Peterson. With the exception of the over eight minutes long "Chloe Dancer/Crown of Thorns", a majority of the songs here draw upon the band's rawer side. Vocalist Andrew Wood's dreamy lyrics are sung in a tenor heavily reminiscent of Led Zeppelin frontman Robert Plant. The band became the first of the new crop of Seattle bands to have a release on a major label. The record sold well and rapidly increased the hype surrounding the band. John Book of Allmusic said the "record contributed to the buzz about the Seattle music scene." -Wikipedia
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